Mitchell Algus Gallery (Exhibitions, Information)
132 Delancey St (entrance on Norfolk), 2nd fl, New York 10002
email: office@mitchellalgusgallery.com 
tel: 516-639-4918
Wednesday-Sunday, noon-6 pm

Zombie Formalism, 1970–2016
Whitney Claflin,  Tom Evans, Carol Haerer, Megan Marrin,
Mark Prent,
Boyd Rice, Walter Robinson, Julia Rommel, Jeff Way

October29–December 22, 2016

Exhibition Information

Press
Artforum
The New Yorker

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Boyd Rice, Untitled, spay enamel on cotton, 24 x 24 in.

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Whitney Claflin, Solil Mend, 2014, oil and objects on canvas, 36 x 24 in.

Jeff Way, Untitled_84_x_96_pigments_and_acrylic_medium_on_canvas_1971-3b129
Jeff Way, Untitled (Red–Green), 1971, pigment and acrylic on canvas, 84 x 96 in.

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Megan Marrin, Those three days (titan arum), 2015, acrylic on canvas, 96 x 72 in.

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Carol Haerer, Winter’s Silver, 1971, oil on canvas, 72 x 72 in.

a. Mark Prent, His Final Statement, 1970
Mark Prent, His Final Statement, 1970, mixed media, resin and fibergass, 24 x 24 x 12 in.

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Whitney Claflin, Fice fice fice fice, 2013, oil on linen, 36 x 24 in.

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Boyd Rice, Untitled, 1975/2006, spray enamel on cotton, 48 x 48 in.

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Julia Rommel, Animal Husbandry, 2016, oil on canvas, 63.5 x 54 in.

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Tom Evans, Untitled, 1972, metalic pigment on canvas, 79 x 59 in.

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Walter Robinson, The Burning Desert, 1986, sign painter’s enamel on canvas, 36 x 36 in.

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Mark Prent, Five Stuffed Crows, 1970, Mixed media, resin and fiberglass, 66 x 47 x 20 in.

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Walter Robinson, The Void, Death and the Infinite, 1986,
sign painter’s enamel on canvas, 36 x 36 in.
Mark Prent, Subsumed, 2014, mixed media, silicone, Fortron, and human hair, #2, ed. 4